15th Mar, 2025 9:30 GMT/BST
John Charles Maggs (1819-1895)
The Red-Rover Chester to Liverpool stagecoach, setting out in the snow
Stagecoach passing a thatched cottage
Each signed, inscribed "Bath" and dated 1877, oil on canvas, 34cm by 64.5cm (2)
Provenance: Private Collection, Victoria Lodge, Tweedsmuir, Biggar
Sold for £480
Estimated at £400 - £600
Chester to Liverpool:
Backboarded, reverse of the canvas not visible. Fair tension, but two slight undulations running verticall in the centre. Slight stretcher bar marks at the right. Brittle age craquelure, elevated slightly at the right side where the paint is thinnest, but all secure. A few minor losses, restored, including top right corner, bottom left corner, to sky right of chimneys, above right of the tower, below the roof at the right and above roof of centre house. A little thinning in delicate paint layers such as the luggage on the coach and the jackets, and in the delicate darks. A little further retouching to damages at edges, mid right edge, along the top of the sky and in the top right corner, and to scattered scuffs and damages. Old yellowed varnish, which has chipped offin places from scratches leaving bright blue below. A little ingrained dirt and surface dirt, and light surface accretions.
Passing By:
Backboarded, reverse of the canvas not visible. Good tension. A few brittle age cracks, not elevated and all secure. Two larger restored losses, possible tears/punctures; one to sky above left of lead horse's head, and one to his body extending between forelegs. The filling to the one in the sky cracking and lifting. Possibly a bit of the overpaint between the horse's legs is to pentiments? Two futher losses to the coach - one in the luggage and one in the door area, both restored. Scattered further small restored losses including in top right corner, bottom left corner. A little abrasion/thinning of the paint layers in the sky and delicate dark areas. Suppressed in the sky with retouching. Further retouching to minor damages at the edges. Ingrained dirt and varnish, upper varnish layer likely a little yellowed. Light surface dirt and accretions.
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Auction: British, European & Sporting Art, 15th Mar, 2025
An early sketch by the master landscape painter John Constable (1776-1837), not previously recorded in literature on the artist, will be on offer in the sale. The sketch has emerged from a private family collection in North Yorkshire and will be sold with an estimate of £150,000-200,000 (plus buyer’s premium).
The sale will also include paintings with provenance from the Earl of Suffolk and Berkshire of Charlton Park, a Private Collection from Victoria Lodge, Tweedsmuir, Biggar and the Property of Sir Brooke Boothby, removed from Fonmon Castle, Glamorgan. Originally built by the St John family c. 1180, Fonmon Castle was sold to Colonel Philip Jones, Oliver Cromwell’s Comptroller of Household during the Civil War. Jones enlarged the castle, and later his descendant, Robert Jones III, converted it into a Georgian mansion with Rococo interiors, uniquely without changing the outer walls. The Jones family line having failed during the First World War, the Castle passed to Oliver Henry Jones’ great niece Clara, Lady Boothby, who brought with her many possessions of the ancient Boothby and Valpy families. The property has since passed by descent.
Further notable paintings on offer from other vendors in the sale include Still life of assorted Summer flowers in a glazed vase before a window by Dorothea Sharp, “The Church of Santa Maria della Salute, Venice” by Antoinetta Brandeis and a fine marine painting, “Westward & Britannia Racing off the Royal Yacht Squadron, Isle of Wight” by Richard Firth.
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