16th Mar, 2024 9:30 GMT/BST

British, European & Sporting Art

 
Lot 1106
 

1106

Circle of Gaspard Dughet (1615-1675) French
An extensive Classical landscape with figures and exercising horses
Oil on canvas, 111cm by 152cm

Provenance: Stephen, 5th Baron Deramore (by repute)

Sold for £22,000
Estimated at £4,000 - £6,000


 

An old lining, with seam 6 inches from bottom. Two big blobs of wax (?) on back of canvas associated with tears (see main images). The lining canvas has split at the stretcher joins. The stretcher is missing keys and there are worm holes along the bottom member. The canvas is lacking tension and there is slight undulation to the canvas associated with this. The canvas weave is more evident, perhaps as a result of the lining, with some light pressing of the impasto.

There is old brittle age and impact craquelure throughout, which is lifting/cupping in places most visible in raking and reflected light (see images), for example in patches to the left tree, the water, passages in the foliage in the middle and bottom of the painting. Doesn't appear to be actively flaking, but has flaked in the past and there are a myriad of tiny unretouched losses of flakes under the current varnish.

There are two tears, associated with wax on the back of the canvas, so likely through the canvas. These have been filled and retouched. One 2 inch tear runs vertically in the mountain to the left of the building, and the second is a compound tear approx 4in x 2in in the foliage to the left of the water an figures. There are slight distortions to the canvas in these areas. There are futher scattered minor small losses, including three flaked damages to the sky exposing the lower layers of paint/ground and a paint-from-paint flake at the peak of the mountains, unretouched. A few minor retouched losses in the foliage at the bottom, with a larger retouching to losses four inches below white patch of water and to old flaking to the centre stretch of the bottom edge. These are darker than the surrounding areas.

Much of the foliage has a greyish hue, possibly a combination of pigment degradation and loss of upper glazing layers. There are glossier patches of warmer coloured material, possibly remaining glazes and/or old varnish layers. These result in a slightly mottled appearance.

There are several matt drips/splashes including a larger one through the mountain buildings, brown spotty accretions throughout but most evident in the sky. A fairly uneven surface gloss and old ingrained dirt and varnish.

There has been slight movment in frame causing minor rubbing to the varnish visible at the top edge.

Examined in frame.

Lot 1106 - Circle of Gaspard Dughet (1615-1675) French An... Lot 1106 - Circle of Gaspard Dughet (1615-1675) French An... Lot 1106 - Circle of Gaspard Dughet (1615-1675) French An... Lot 1106 - Circle of Gaspard Dughet (1615-1675) French An... Lot 1106 - Circle of Gaspard Dughet (1615-1675) French An... Lot 1106 - Circle of Gaspard Dughet (1615-1675) French An... Lot 1106 - Circle of Gaspard Dughet (1615-1675) French An... Lot 1106 - Circle of Gaspard Dughet (1615-1675) French An... Lot 1106 - Circle of Gaspard Dughet (1615-1675) French An... Lot 1106 - Circle of Gaspard Dughet (1615-1675) French An... Lot 1106 - Circle of Gaspard Dughet (1615-1675) French An... Lot 1106 - Circle of Gaspard Dughet (1615-1675) French An... Lot 1106 - Circle of Gaspard Dughet (1615-1675) French An... Lot 1106 - Circle of Gaspard Dughet (1615-1675) French An...

We are happy to provide Condition Reports to Prospective Buyers, but would welcome your request as soon as possible, preferably at least 48 hours before the Day of Sale.

We cannot guarantee a reply to any requests made within 48 hours of the start of the auction. The absence of a condition report from a lot does not mean that the lot is in perfect condition.

 A Condition Report is an honest expression of our opinion, not a statement of fact and is provided as a service to the Seller. All lots are available on public view ahead of an auction and we encourage people to see an item in person when possible.

Our Condition Reports are not prepared by professional conservators, restorers or engineers, and are prepared with the naked eye unless otherwise stated.

 Works are not examined out of the frame, unless specifically stated. We accept no liability for the opinions expressed in any Condition Report.

Tennants Auctioneers do not cover damage to gilded wood or plaster picture frames, or to picture frame glass whilst the item is in our possession.

 

Auction: British, European & Sporting Art, 16th Mar, 2024

Coming up for auction this Spring are three notable works by Adolphe Valette (1876-1942), a French Impressionist artist who spent the majority of his career in the North of England. Whilst he is best remembered today as being the highly influential tutor to L.S. Lowry, Valette created a significant body of work in oils, watercolours and drawing media. All three works are sold with provenance from The Perera Collection, the largest collection of works by Valette to have been assembled in private hands.

Further notable works in the sale include an exquisitely detailed still life of a peach, black grapes and cobnuts on a marble shelf by Emilie Preyer (1849-1930), and a work by historical genre painter Edward Matthew Ward (1816-1879) that depicts the hero of a popular comic ballad, John Gilpin.

The sale will also see the final part of the Raymond Booth Studio, comprising 19 works. Raymond Booth (1929-2015) was perhaps the greatest botanical artist and illustrator of his generation, and his passion for the natural world shines through in his highly detailed oil studies of flora and fauna.

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Sunday 10 March - Friday 15 March 11am-4pm, and morning of sale from 8am

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