15th Mar, 2025 9:30 GMT/BST

Fine Jewellery, Watches & Silver

 
Lot 2078
 

2078

A Russian Gem-Set Silver-Mounted Sandstone Match-Holder in the Form of an Elephant
by Fabergé, St Peterburg, Workmaster Julius Rappoport, Circa 1890

humorously modelled, the ovoid sandstone body mounted with silver trunk, legs, ears and tail and with a central well for matches with gadrooned rim, with two garnet cabochon-set eyes
11.5cm wide

Provenance:
by family tradition gifted to a member of the Cullingworth family, who were working at Clifton Castle in the mid-20th century, by Lieutenant Colonel Assheton Penn Curzon-Howe-Herrick and his wife, Joan Henrietta, daughter of James Windsor Lewis, and by descent to the present owner.

The Curzon-Howe family were remarkably well connected through the 20th century. Lieutenant Colonel Assheton Penn Curzon-Howe-Herrick (1898-1959), who likely previously owned, by inheritance, the present elephant, was the son of Sir Assheton Gore Curzon-Howe K.C.B., C.M.G., C.V.O. (1850-1911), the celebrated British naval officer who was, for a time, the Commander-in-Chief of the Mediterranean Fleet. Sir Assheton in turn was the son of Richard William Penn Curzon-Howe, 1st Earl Howe (1796-1870) and counted the 2nd and 3rd Earls Howe as his brothers through his father’s first marriage.

The extensive nature of the network of the family is perhaps best illustrated by reviewing the list of the invited guests to Sir Assheton’s wedding in 1892, at St Mark’s church, North Audley Street, London, to Alice Anne Cowell, daughter of General Right Hon. Sir John Cowell, of Clifton Castle. The invitees, as recorded in a contemporary report published in the Yorkshire Herald on 27 February 1892, include a veritable who’s who of European royalty and British aristocracy. The report further shows the event to have been a lavish affair, noting:

“The bride looked very handsome in her bridal costume of rich white corded silk, draped with fine Brussels lace and trimmed with sprays of orange blossom. Her veil was fastened to the hair by a large diamond star and was surmounted by a wreath of orange blossom. She wore a magnificent diamond and turquoise bangle, a present from her Majesty, who also sent the bridal bouquet of choice exotics. Her other ornament was a diamond cross, the gift of the bridegroom. The bridesmaids were Miss Marie Cowell, sister of the bride, Lady Alexandra Hamilton and Lady Gladys Hamilton, nieces of the bridegroom, Miss May McNeil, and Miss Frances Whyley. They were attired alike in charming gowns of white bengaline edged in white fur and trimmed with silver embroidery with hats en suite.”

The report goes on to provide a list some of the wedding gifts given to the couple, presented, as the guest list would suggest, by royalty and the aristocracy:

“Her Majesty presented the bride with a handsome Indian shawl, a turquoise and diamond bangle, and the bridal bouquet of choice exotics; the Prince of Wales and Prince George of Wales gave a travelling clock to Captain Curzon; the Grand Duke of Hesse sent an embossed silver box; the Duke and Duchess of Edinburgh, silver bowl; the Duke and Duchess of Connaught, a tortoiseshell clock; the Marchioness of Lorne, a jewelled spray; Prince and Princess Henry of Battenberg, a jewelled pin; the Duchess of Albany, silver mounted inkstand; the Prince of Leiningen, silver coffee pot; Prince Louis of Battenberg, pair of silver candlesticks; the Duke and Duchess of Abercorn, diamond pin and ring.”

Sadly, no mention is made of the present elephant, though the list does go on to note ‘The other presents were numerous.’ It is of course also possible that the elephant was purchased by Sir Assheton, the St Peterburg hallmark is that used from 1882-1899 which fits in with his wedding, or given to him as a gift on another occasion.

The wider family were well aware of the firm of Fabergé, particularly its London branch, which opened in 1903, through the role of Richard George Pen Curzon, 4th Earl Howe (1861-1929) as Lord Chamberlain to Queen Alexandra. Around this time Henry Charles Bainbridge, Fabergé’s agent in London, instigated a project that has become known as the Sandringham commission. This saw Fabergé send to London the artist Boris Frödman-Cluzel who prepared wax models of various animals on the Sandringham estate. These wax models were translated in the workshops of Fabergé into, mostly, hardstone models which were then sold either directly to the King and Queen or to members of their inner court to be presented to their royal highnesses. The only two examples not made in hardstone were the models of Vassilka, the borzoi, and Persimmon, one of Edward VII’s racehorses, which were produced in silver, presumably as their long legs made them unsuitable for carving in hardstone. The model of Vassilka was purchased by Earl Howe on 5 November 1909 from Fabergé to be given as a gift to the Queen. The model remains in the Royal Collection to this day.

The connection between Earl Howe and Queen Alexandra seems to have been close, and the gift giving reciprocal. Following his death in 1929 the 4th Earl Howe lists of number of items in his will which had been given to him by the late Queen.

Humorously modelled silver-mounted sandstone match holders in the form of animals, such as the present example were made in various forms. Perhaps the closest to the present elephant was one previously in the collection of His Royal Highness the Prince Henry, Duke of Gloucester, and which was sold by Christie’s 25 November 2013 as lot 225. Another example, formed as a rhinoceros was sold by Bonhams (26 November 2014, lot 156) and one formed as a pig was sold by Sotheby’s (12 June 2008, lot 653).

Sold for £10,000
Estimated at £10,000 - £15,000


 

Marked inside the well with Fabergé in Cyrillic, workmasters mark and 88 zolotnik standard mark. The top of the trunk marked with Fabergé in Cyrillic and workmasters mark. There is some wear to the marks but each is generally legible. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the texturing, most visible to the trunk. There is a bruise to one side of the match well. Two legs have perhaps been reattached to the body. One is slightly loose and with a small gap between the top of the foot and the body.

We are happy to provide Condition Reports to Prospective Buyers, but would welcome your request as soon as possible, preferably at least 48 hours before the Day of Sale.

We cannot guarantee a reply to any requests made within 48 hours of the start of the auction. The absence of a condition report from a lot does not mean that the lot is in perfect condition.

 A Condition Report is an honest expression of our opinion, not a statement of fact and is provided as a service to the Seller. All lots are available on public view ahead of an auction and we encourage people to see an item in person when possible.

Our Condition Reports are not prepared by professional conservators, restorers or engineers, and are prepared with the naked eye unless otherwise stated.

 Works are not examined out of the frame, unless specifically stated. We accept no liability for the opinions expressed in any Condition Report.

Tennants Auctioneers do not cover damage to gilded wood or plaster picture frames, or to picture frame glass whilst the item is in our possession.

 

Auction: Fine Jewellery, Watches & Silver, 15th Mar, 2025

 

Jewellery

In one of the most exciting Jewellery sales in recent years, there are several lots from leading makers including Van Cleef and Arpels, Cartier, Hermes and Chopard, the highlight of which is a rare Magnificent Very Light Pink 8.62 Carat Diamond Necklace signed and numbered by Cartier.  Further items from these iconic names include A Mother-of-Pearl Alhambra Necklace and Earring Suite, by Van Cleef & Arpels,  A Pair of Diamond Hoop Earrings, by Cartier formed of graduated C de Cartier logo links, A Multi-Gem Set Happy Diamond Pendant on Chain, by Chopard modelled as an articulated clown and An Enamel Ring, by Hermès comprised of three yellow textured entwined bands, each with a central band of enamel decoration in either red, blue or green

Sapphires feature strongly in the sale, including an unusual 18 Carat Gold Star Sapphire Swivel Ring, the oval cabochon star sapphire in a yellow rubbed over setting, with a swivel loop, and An 18 Carat White Gold Sapphire and Diamond Ring.  Period jewellery in the sale features An Early-Mid Victorian Sapphire and Diamond Brooch and A Diamond Brooch, circa 1920, the pierced plaque set throughout with old cut and rose cut diamonds.

 

Watches

The Watches section features a good range of makers and periods, from popular collector’s names such as Jaeger LeCoutre and Rolex, rare military watches and modern makers.

Highlights include a Jaeger LeCoultre Lady's 18 Carat White Gold Diamond Set Reverso Wristwatch, a A Rare Stainless Steel Automatic Calendar Centre Seconds Wristwatch, “Great White” signed Rolex with the original dial and original bracelet, a Second World War German Luftwaffe Pilots Single Push Chronograph Wristwatch circa 1938 and an Omega Rare British Military Royal AirForce “Thin Arrow” signed Omega.  Modern makers include a Bremont: A Limited Edition Stainless Steel Automatic Calendar Chronograph Wristwatch, signed Bremont, Chronometer, model: Mustang P-51, number 038 of a limited edition of 251 pieces made, circa 2009.

 

Silver

The silver section of the sale includes almost 170 lots dating from across five centuries. From the 16th century is an Elizabeth I silver chalice and paten which last appeared on the public market at Christie’s in 2004. Another early rarity is a Charles II Scottish trefid-spoon which is marked for Edinburgh, circa 1670. It is one of a number of early spoons and items of flatware which are offered in the sale.

Leading the sale is a rare silver-mounted sandstone match-holder in the form of an elephant. Made for Faberge in St Petersburg by his Workmaster Julius Rappoport circa 1890 it is believed to have originated from Clifton Castle, near Ripon. Other European highlights include two 18th century Maltese sugar-bowls and covers and two charming Dutch silver miniature toys. The 20th century silver includes the final instalment of napkin-rings from the Lion Collection. The examples offered in this sale include Arts and Crafts examples, made in the very early years of the 20th century, and later examples by some of the best known silversmiths of the late 20th century, including Stuart Devlin, Grant MacDonald and Chris Knight.

Viewing

Sunday 9th March - Thursday 13th March 11am-3pm, Friday 14th March 8am-3pm and morning of the sale from 8am

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