16th Apr, 2025 10:30 GMT/BST

Natural History & Taxidermy

 
Lot 35
 

35

Taxidermy: Wall Cased European Robin (Erithacus rubecula), dated 2020, by A. J. Armitstead, Darlington, Co Durham, a superb quality full-mount adult, perched upon frosted branches, amidst a winter scene of ferns and frosted floating groundwork, set against a water colour painted winter woodland scene backdrop, enclosed within an oak framed five-glass wall hanging display case, 27.5cm by 9cm by 37.5cm excluding outer oak frame, signed to interior lower right, full taxidermist's paper trade label to verso

Sold for £200
Estimated at £200 - £300


 

Auction: Natural History & Taxidermy, 16th Apr, 2025

Lots 1-33
Roger Stanfield (1950-2024) was born in Lincolnshire, and held a great love of nature, particularly birds, from a young age. Over the years he worked at several small zoos, including Bristol Zoo where he was a lead zookeeper. In this role, he was charged with the care of a large variety of exotic birds. His knowledge of birds was furthered on numerous bird watching holidays, and over the years he greatly enjoyed travelling to the likes of India and Peru, as well as travelling all over Europe. In later years, Roger qualified as a joiner and carpenter and was very talented with woodwork. He also adored drawing and painting birds and even dabbled in taxidermy himself. He would make his own bird cases, painting appropriate naturalistic scenery and shrubbery. Roger was a regular buyer at Tennants and loved the thrill of bidding and buying birds at auction, as well as enjoying sharing his vast knowledge of birds with specialist Robbie Bright. (Lots 1-33 to be sold without reserves).

Lots 283-294
Dean Field always had a love for nature and then outdoors, which extended to a fascination with taxidermy. In 1983 he met A.J. Armitstead (Tony), the renowned Darlington-based taxidermist, and the pair became lifelong friends. Over the years, Dean commissioned numerous pieces, and greatly admired Armitstead’s ability to create such beautiful, naturalistic scenes and poses of the specimens. Whilst Dean collected taxidermy from a variety of makers in his early years of collecting, he later focussed purely on Armitstead’s work, appreciating the way he captured animals like no other. He slowly replaced pieces in his collection by other artists with those by Armitstead. His collection became a showcase for Armitstead’s work, comprising more than 170 cases. For Dean, taxidermy brought the animals and birds he loved so much into his own home.

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