In fully restored condition. Fairly stiffly wax relined with upper half of back of canvas obscured by backing board, likely old clean and revarnished with some dirt and discoloured varnish now in evidence. Some of the original impasto has been flattened as a result of the restoration process most notably in the white paint used to deliniate the clouds of the sky.  Paint is thin in places, most notably the water of the lower foreground. Some general rubbing/abrasions to outer edges. Sporadic retouching to sky and likely within the bridge. Further retouching to darker tones of rocks within the river and those of the lower right hand side edge.

We are happy to provide Condition Reports to prospective buyers, but would welcome your request as soon as possible, preferably at least 48 hours before the Day of Sale. We cannot guarantee a reply to any requests made within 48 hours of the start of the auction. The absence of a Condition Report from a lot does not mean that the lot is in perfect condition. A Condition Report is an honest expression of our opinion, not a statement of fact and is provided as a service to the seller. All lots are available on public view ahead of an auction and we encourage prospective buyers to inspect an item in person where possible. Our Condition Reports are not prepared by professional conservators, restorers, or engineers, and are prepared with the naked eye unless otherwise stated.

Regarding Pictures, Prints and Works on Paper, works are not examined out of the frame, unless specifically stated. Tennants Auctioneers do not cover damage to gilded wood or plaster picture frames, or to picture frame glass whilst the item is in our possession.

We accept no liability for the opinions expressed in any Condition Report.