15th Nov, 2025 9:30 GMT/BST
Helen Allingham RWS (1867-1926)
Study of Blossom
Initialled, pencil and watercolour, 11cm by 19cm
Provenance: Collection RPL Allingham, Grandson of the artist (according to a label affixed to the reverse)
The Little Gallery, London
Kaye Mitchie Fine Art, Surrey
Sold together with a copy of the purchase invoice from Kaye Mitchie Fine Art
Low level convex undulation top left corner, no tears or creases. Paper remains fairly light and bright. Minor micro-cracking/flaking to impasted bodied white paint centre of picture. Colours a little muted.
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Auction: British, European & Sporting Art, 15th Nov, 2025
An early work by Alfred Munnings depicting Romani life at Norwich’s historic Tombland Fair is set to lead the sale. Sir Alfred Munnings (1878-1959) grew up in the deeply rural Waveney Valley in Suffolk, and his childhood was spent sketching the working horses around the family mill. Going on to set up his own studio, the opening decade of the 20th century saw him established himself as an artist painting in rural East Anglia, documenting the countryside and country life, sketching travellers, working horses and the local society in his characteristic impressionistic manner, filled with colour and light. It was only after the First World War that he went on to concentrate on painting horses, becoming the most celebrated equestrian artist of the 20th century.
A good range of traditional Sporting art of offer in the sale includes a rare depiction of a 19th century boxing match - one of the most fascinating works in the sale. It illustrates the match which took place between Carter and Oliver at Gretna Green on 4th October 1816 on the estate of Sir James Maxwell. The stakes were a hefty 100 guineas each, and the contest took place in a 24-foot roped ring in front of approximately 30,000 spectators, leaving the streets around Carlisle empty. Going into the match, Oliver was the favourite to win, but despite rumours of Carter’s lack of prowess, he dominated the fight and came out the victor. Carter was seconded by Painter and Harmer, and Oliver by Cribb and Copper, whose names are painted on the bottom of the frame.
There is also a strong selection of ornithological works by the likes of Archibald Thorburn and John Cyril Harrison.
Further highlights of the sale include The Incredulity of St Thomas by a Follower of Philippe de Champaigne, and a charming depiction of two children inspecting a bird’s nest by Dorothea Sharp.
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