15th Mar, 2025 9:30 GMT/BST

British, European & Sporting Art

 
Lot 1069
 

1069

The Rev. Matthew William Peters, RA (1741-1814)
Portrait of Miss Maria Boothby (1758-1805), daughter of Sir Brooke Boothby, 5th Bart (1710-1789), half-length, wearing a pink dress, a muslin scarf and carrying a fur muff
Oil on canvas, 75cm by 62.5cm

Provenance: By descent in the Boothby family at Fonmon Castle, Glamorgan, to the present owner.
The Property of Sir Brooke Boothby, 15th Bt., removed from Fonmon Castle, Glamorgan
Sotheby's London, Wednesday, January 17, 2024 (Lot 123) Royal & Noble Including Jewels from an Important Noble Collection

Literature: A. Oswald, 'Fonmon Castle, Glamorgan - III: Home of Sir Seymour Boothby, Bt., and Lady Boothby, Country Life, vol. 105, no. 2724, 1 April 1949, p. 737, reproduced; J. Steegman, A Survey of Portraits in Welsh Houses, 2 vols, Cardiff 1962, vol. II, p. 96, no. 33, reproduced pl. 17, no. C (as attributed to Reverend Matthew William Peters, R.A.); A.D. Fraser Jenkins, 'The Paintings at Fonmon Castle', in S. Williams, Stewart Williams' Glamorgan Historian, vol. 7, Glamorgan 1971, pp. 68-69, reproduced (as probably by Reverend Matthew William Peters, R.A.).

Sold for £1,000
Estimated at £1,200 - £1,800


 

Unlined, a strainer rather than a stretcher. Old tears/rucks to the tacking margins. Lacking in tension. Slight bulge/distortion to the bottom edge. A shallow dent with minor paint loss above the right shoulder and a puncture/hole to the canvas in the top right quadrant. There are strainer bar marks. There is a brittle age craquelure throughout, slightly raised and pulling/quilting the canvas slightly, but appears stable with the exception of some minor flaking associated with the stretcher bar (some of the losses are retouched), and at the bottom edge. . Some minor wrinkling/drying cracs in the background. There is minor loss of paint and ground from a blow to the bottom right corner. There are futher minor scattered losses including at the edges where there has been contact with the frame. Possibly some minor abrasion, but difficult to see under degraded varnish. Very thick old degraded, yellowed varnish, a little ingrained dirt and varnish, a layer of surface dirt including fly spotting, marks etc.

Lot 1069 - The Rev. Matthew William Peters, RA... Lot 1069 - The Rev. Matthew William Peters, RA... Lot 1069 - The Rev. Matthew William Peters, RA... Lot 1069 - The Rev. Matthew William Peters, RA... Lot 1069 - The Rev. Matthew William Peters, RA... Lot 1069 - The Rev. Matthew William Peters, RA... Lot 1069 - The Rev. Matthew William Peters, RA... Lot 1069 - The Rev. Matthew William Peters, RA... Lot 1069 - The Rev. Matthew William Peters, RA... Lot 1069 - The Rev. Matthew William Peters, RA... Lot 1069 - The Rev. Matthew William Peters, RA... Lot 1069 - The Rev. Matthew William Peters, RA...

We are happy to provide Condition Reports to Prospective Buyers, but would welcome your request as soon as possible, preferably at least 48 hours before the Day of Sale.

We cannot guarantee a reply to any requests made within 48 hours of the start of the auction. The absence of a condition report from a lot does not mean that the lot is in perfect condition.

 A Condition Report is an honest expression of our opinion, not a statement of fact and is provided as a service to the Seller. All lots are available on public view ahead of an auction and we encourage people to see an item in person when possible.

Our Condition Reports are not prepared by professional conservators, restorers or engineers, and are prepared with the naked eye unless otherwise stated.

 Works are not examined out of the frame, unless specifically stated. We accept no liability for the opinions expressed in any Condition Report.

Tennants Auctioneers do not cover damage to gilded wood or plaster picture frames, or to picture frame glass whilst the item is in our possession.

 

Auction: British, European & Sporting Art, 15th Mar, 2025

An early sketch by the master landscape painter John Constable (1776-1837), not previously recorded in literature on the artist, will be on offer in the sale. The sketch has emerged from a private family collection in North Yorkshire and will be sold with an estimate of £150,000-200,000 (plus buyer’s premium).

The sale will also include paintings with provenance from the Earl of Suffolk and Berkshire of Charlton Park, a Private Collection from Victoria Lodge, Tweedsmuir, Biggar and the Property of Sir Brooke Boothby, removed from Fonmon Castle, Glamorgan. Originally built by the St John family c. 1180, Fonmon Castle was sold to Colonel Philip Jones, Oliver Cromwell’s Comptroller of Household during the Civil War. Jones enlarged the castle, and later his descendant, Robert Jones III, converted it into a Georgian mansion with Rococo interiors, uniquely without changing the outer walls. The Jones family line having failed during the First World War, the Castle passed to Oliver Henry Jones’ great niece Clara, Lady Boothby, who brought with her many possessions of the ancient Boothby and Valpy families. The property has since passed by descent.

 Further notable paintings on offer from other vendors in the sale include Still life of assorted Summer flowers in a glazed vase before a window by Dorothea Sharp, “The Church of Santa Maria della Salute, Venice” by Antoinetta Brandeis and a fine marine painting, “Westward & Britannia Racing off the Royal Yacht Squadron, Isle of Wight” by Richard Firth.

Click here to find out more about consigning to upcoming sales

Viewing

Sunday 9th March - Thursday 13th March 11am-3pm, Friday 14th March 8am-3pm and morning of the sale from 8am

View all lots in this sale

Sell one like this

If you've got a similar item to sell, complete the valuation form below and one of our experts will get in touch. 

YOUR DETAILS

ITEM DETAILS

Upload images

Drag and drop .jpg images here to upload, or click here to select images.


CONFIRM & SUBMIT