15th Nov, 2025 9:30 GMT/BST

British, European & Sporting Art

 
Lot 1076
 

1076

Henry Redmore (1820-1887)
"Saltwick Bay, Yorkshire Coast"
Signed and dated 1883, inscribed to upper stretcher verso, oil on canvas, 44.5cm by 75cm

Provenance: Tennants Auctioneers, "Spring Fine Art Sale", 15th March 2013, Lot 795

Sold for £750
Estimated at £400 - £600


 

Lined, one key missing. Good tension if a little stiff. Impasto pressed from lining process. Two losses to centre of sky - possibly punctures to canvas. Both restored, but overpaint is visible and filling is lifting and flaking. Passages of brittle age craquelure, flat and stable. Scattered minor touches of overpaint throughout to marks, tiny losses and cracks. Ingrained dirt and varnish. Slightly discoloured upper varnish. Light surface dirt.

Lot 1076 - Henry Redmore (1820-1887) "Saltwick Bay,... Lot 1076 - Henry Redmore (1820-1887) "Saltwick Bay,... Lot 1076 - Henry Redmore (1820-1887) "Saltwick Bay,... Lot 1076 - Henry Redmore (1820-1887) "Saltwick Bay,... Lot 1076 - Henry Redmore (1820-1887) "Saltwick Bay,... Lot 1076 - Henry Redmore (1820-1887) "Saltwick Bay,... Lot 1076 - Henry Redmore (1820-1887) "Saltwick Bay,... Lot 1076 - Henry Redmore (1820-1887) "Saltwick Bay,... Lot 1076 - Henry Redmore (1820-1887) "Saltwick Bay,... Lot 1076 - Henry Redmore (1820-1887) "Saltwick Bay,... Lot 1076 - Henry Redmore (1820-1887) "Saltwick Bay,... Lot 1076 - Henry Redmore (1820-1887) "Saltwick Bay,... Lot 1076 - Henry Redmore (1820-1887) "Saltwick Bay,... Lot 1076 - Henry Redmore (1820-1887) "Saltwick Bay,... Lot 1076 - Henry Redmore (1820-1887) "Saltwick Bay,... Lot 1076 - Henry Redmore (1820-1887) "Saltwick Bay,... Lot 1076 - Henry Redmore (1820-1887) "Saltwick Bay,... Lot 1076 - Henry Redmore (1820-1887) "Saltwick Bay,... Lot 1076 - Henry Redmore (1820-1887) "Saltwick Bay,...

We are happy to provide Condition Reports to Prospective Buyers, but would welcome your request as soon as possible, preferably at least 48 hours before the Day of Sale.

We cannot guarantee a reply to any requests made within 48 hours of the start of the auction. The absence of a condition report from a lot does not mean that the lot is in perfect condition.

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Our Condition Reports are not prepared by professional conservators, restorers or engineers, and are prepared with the naked eye unless otherwise stated.

 Works are not examined out of the frame, unless specifically stated. We accept no liability for the opinions expressed in any Condition Report.

Tennants Auctioneers do not cover damage to gilded wood or plaster picture frames, or to picture frame glass whilst the item is in our possession.

 

Auction: British, European & Sporting Art, 15th Nov, 2025

 

An early work by Alfred Munnings depicting Romani life at Norwich’s historic Tombland Fair is set to lead the sale. Sir Alfred Munnings (1878-1959) grew up in the deeply rural Waveney Valley in Suffolk, and his childhood was spent sketching the working horses around the family mill. Going on to set up his own studio, the opening decade of the 20th century saw him established himself as an artist painting in rural East Anglia, documenting the countryside and country life, sketching travellers, working horses and the local society in his characteristic impressionistic manner, filled with colour and light. It was only after the First World War that he went on to concentrate on painting horses, becoming the most celebrated equestrian artist of the 20th century.

A good range of traditional Sporting art of offer in the sale includes a rare depiction of a 19th century boxing match - one of the most fascinating works in the sale. It illustrates the match which took place between Carter and Oliver at Gretna Green on 4th October 1816 on the estate of Sir James Maxwell. The stakes were a hefty 100 guineas each, and the contest took place in a 24-foot roped ring in front of approximately 30,000 spectators, leaving the streets around Carlisle empty. Going into the match, Oliver was the favourite to win, but despite rumours of Carter’s lack of prowess, he dominated the fight and came out the victor.  Carter was seconded by Painter and Harmer, and Oliver by Cribb and Copper, whose names are painted on the bottom of the frame.

There is also a strong selection of ornithological works by the likes of Archibald Thorburn and John Cyril Harrison.

Further highlights of the sale include The Incredulity of St Thomas by a Follower of Philippe de Champaigne, and a charming depiction of two children inspecting a bird’s nest by Dorothea Sharp.

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