Oak panel, grain running horizontally, held in with two pins at the sides and one pin in the top. The top pin across the grain, likely holding the panel under tension. Mould on reverse. Old minor losses to the panel at either end of the grain, and one approx 6cm splinter partially re-adhered at the top left corner with associated loss of paint and ground (see images). Slight convex curvature in lower half where not held under tension by pin. A curious raised vertical line against the grain through the centre of the panel below the sitter's chin. Unsure what this is, but appears stable.

The panel has had a history of flaking and loss. Brittle age craquelure throughout, wtih numerous raised tents of paint and ground, some visibly active and not stable (see images inreflected light). One fresher tent has crushed at the middle of the left side, with associated loss of paint and ground. Numerous old restored losses, mostly to background and drapery. Likely several campaigns of restoration. Also brushy overpaint in places in the background, notably in the bottom left and right corners, and around the figure. It is difficult to see the extent due to obscuring thick varnish layers. Further patchy overpaint to losses and to suppress the abrasion in lighter passages. There has been abrasion and thinning of paint layers, including to hair, eyes and lips and likely glazes on the face. For more recent campaigns of retouching - see ultra violet images.

Thick old glossy varnish layers with a splattered and drippy thick yellowed varnish visible over the head and drapery (see images). A light layer of surface dirt.

We are happy to provide Condition Reports to Prospective Buyers, but would welcome your request as soon as possible, preferably at least 48 hours before the Day of Sale.

We cannot guarantee a reply to any requests made within 48 hours of the start of the auction. The absence of a condition report from a lot does not mean that the lot is in perfect condition.

 A Condition Report is an honest expression of our opinion, not a statement of fact and is provided as a service to the Seller. All lots are available on public view ahead of an auction and we encourage people to see an item in person when possible.

Our Condition Reports are not prepared by professional conservators, restorers or engineers, and are prepared with the naked eye unless otherwise stated.

 Works are not examined out of the frame, unless specifically stated. We accept no liability for the opinions expressed in any Condition Report.

Tennants Auctioneers do not cover damage to gilded wood or plaster picture frames, or to picture frame glass whilst the item is in our possession.