11th Feb, 2023 10:30 GMT/BST
Costume, Accessories & Textiles
2070
Circa 1930-60s Wedding Dresses, comprising a cream crepe long sleeve dress with V-neck and pleated detail to the bust
ivory textured satin type dress with three quarter length sleeves, collar and button fastening to the front and matching belt
white dress woven with flower heads, long sleeves, shawl neck collar leading to multi faux buttons to the bodice flanked by a scalloped detail to the front and back
white abstract woven sleevless dress with pleated long skirt
cream faux flocked long sleeve dress with V-neckline, buttons to the back, shaped waist line
a cream silk damask gown with multi pleated and sequin mounted oval neckline, three quarter length sleeves, peplum pleats to the hips, full skirt
white lace mounted dress with long sleeves, scalloped neckline, full skirt and lace train
similar style dress in a cream floral flocked fabric, bow to the reverse
white crepe type long sleeve dress with V-neck collar and cutwork floral details to the bodice, scalloped waistband
(9)
Sold for £350
Estimated at £120 - £180
Cream dress pleated bust - 36" bust, belt missing and couple of thread pulls
ivory textured dress - 34" bust, slight wear.
White flower head dress - 36" bust, yellowing to the collar and slight wear
White sleeveless dress - 34" bust, slight wear.
cream faux flocked dress - 36" bust, brown mark to the skirt.
Cream damask dress - 36" bust, slight wear
white lace mounted dress - 30" bust and rubbing to the lace mount, tears to the lace near the back and central panel to the front and waistband later.
similar flocked dress - 32" bust, some rubbing and wear
white crepe type dress - 34" bust, small cluster of holes to the back of the skirt
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We cannot guarantee a reply to any requests made within 48 hours of the start of the auction. The absence of a condition report from a lot does not mean that the lot is in perfect condition.
A Condition Report is an honest expression of our opinion, not a statement of fact and is provided as a service to the Seller. All lots are available on public view ahead of an auction and we encourage people to see an item in person when possible.
Our Condition Reports are not prepared by professional conservators, restorers or engineers, and are prepared with the naked eye unless otherwise stated.
Works are not examined out of the frame, unless specifically stated. We accept no liability for the opinions expressed in any Condition Report.
Tennants Auctioneers do not cover damage to gilded wood or plaster picture frames, or to picture frame glass whilst the item is in our possession.
Auction: Costume, Accessories & Textiles, 11th Feb, 2023
A rich and diverse sale of Costumes, Accessories and Textiles, including the John Newall Collection of Guna Molas from Panama and Columbia, and Albanian Costume, a good Private Collection of Victorian Costume, a Private Collection of Millinery and Costume Accessories from the late 19th century to the 1940s including 1920s dresses and evening coats, and an archive relating to North Country quilter Mary Lough.
John Newall Private Collection of Albanian and Other Costume
John Newall Private Collection of Molas, San Blas Islands 1974-9
Knitting Stick Collection - many of the items purchased from the 'Terrible Knitters of Dent', the last surviving being Betty Hartley and Elizabeth Middleton both from Dent.
The knitters would gather in one cottage at the end of the day and knit by the firelight, telling old tales and singing old knitting songs. If a stitch was dropped the knitter would call 'Turn o'wer a pe-at' to give out a bit more light. Needles 'pricks' were made of curved wire sharpened on the doorstep, wool was called 'garn' and was rough and hard-wearing. The garn was delivered from the merchants in Kendal and knitters paid for what they produced.
Everyone knitted, men, women and children, the money they raised from knitting made up the difference between 'poverty' and just being 'poor'.
Mary Lough Collection
Mary Lough (1886-1968) of Chapman Hill Farm, Witton le Wear, was a leading expert of handmade quilts in Co Durham. Mary learnt to quilt at a young age helping her mother sew by candlelight, she became the first North Country quilter to formally teach quilting, by setting up classes in Weardale and local areas. By the 1950s she had achieved a national reputation through exhibiting at the V&A, Beamish among others, and quilting for clients all over the UK, Australia and America.
One of Mary's students who she helped achieve her City and Guilds Diploma in 1952 was Amy Emms MBE. Her quilts represent the motifs familiar with North Country quilts including swirling intricate patterns, curvilinear shapes, feathers, sheaves of corn, plate/circle, fan, roses, lovers knots, cables circles.
Viewing
Wednesday 8th February 10am-4pm, Thursday 9th February 10am-4pm, Friday 10th February 10am-5pm and the morning of the sale from 8am
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