Caricatures. Collection of caricatures, 19th century, all hand-coloured etchings, mounted, all except item 6 framed and glazed (not examined out of frames), and comprising:
1) [Seymour, Robert]. The March of Intellect, [no publisher], c.1828, on the foundation of London University, signed 'Shortshanks fecit', mount aperture 245 x 345 mm,
2 & 3) [ibid.] Lomocotion [and:] Locomotion Plate 2nd, London: Thomas McLean, c.1830, 252 x 355 and 240 x 340 mm, Plate 2nd slightly spotted and toned,
4) Phillips (John). The Gold Cup, London: E. King, July 1827, on the supposed parsimony of Lord and Lady Eldon, a little smudging to foot of image, 325 x 215 mm,
5) Woodward (George Moutard). Comfort for an Old Maid, London: P[iercy] Roberts, c.1800, 264 x 320 mm,
6) ibid. A Long Headed Election, [London]: Thomas Tegg, [1806], 250 x 366 mm,
7) Heath (Henry). Mathew-orama for 1827, being, The Home Circuit or Cockney Gleanings. "Look at Home - "look abroad - "Look every where", London: Thomas McLean, 1827, depicing the comic actor Charles Mathews in the various guises of his 'Monopolylogue', etching with aquatint, 300 x 370 mm,
8) [Williams, Charles]. Fat and Lean, [London]: William Holland, 1806, depicting Daniel Lambert, keeper of Leicester gaol and 'the most corpulent man of his time in England' (ODNB), moderatedly spotted, 335 x 237 mm,
9) [Heath, William; attributed]. Every One His Hobby plate 2d, [London]: T. Tegg, 1819, 230 x 340 mm (qty: 9)

BM Satires 16438 (Locomotion Plate 2nd), 15420 (The Gold Cup), 10610 (A Long Headed Election), 10632 (Fat and Lean).